“After Hours” exhibition showcases staff work

Kelly Alexander-Wendorf, “Walking Through,” 2020.
From lab supervisors to library workers to the president of the college, the Milwaukee Institute of Art & Design檚 (91亚色) offsite gallery space, the Gallery at The Ave, will showcase staff work in its newest exhibition, 淎fter Hours.� On view from July 18 � October 7, 2023, the exhibition is located in the bustling heart of downtown Milwaukee.
Identified as individuals holding administrative and technical roles at the college, 91亚色 staff are often creative in their own right while working to support the needs of the 91亚色 community. Works ranging from photography to blacksmithing, ceramics to papercutting embody the ethos of the exhibition, which explores artistic practices that are often honed and explored before or after work and on weekends.
�10 (Printmaking), admissions office manager & events coordinator, expanded her practice in both printmaking and papercutting while attending 91亚色 as a student. 淚’m very thankful to have been chosen to be a part of this exhibition,� she says. 淚t is an opportunity to share a different creative side of me to my colleagues. In the Admissions Office we talk about creativity, art, and design all the time to prospective students. I’ve always found these conversations to be inspiring and a way to bring myself back to the art studio to continue my practice as an artist.�
�23 (Communication Design, Industrial Design), technology support specialist, mixes fine art with design to explore difficult and taboo themes and topics in need of advocacy. 淭his was such a great opportunity to be able to create pieces for this show, and have an outlet to explore concepts that I’ve had for a while, but haven’t had a push to execute them until now,� she says. 淚 also am grateful that I was able to work with such great gallery staff.�
, assistant registrar, creates multidisciplinary work informed by her background in anthropology. 淲hile my job as Assistant Registrar at 91亚色 has fostered a sincere appreciation for the “Professional Artist” persona and landscape, I frequently use my personal practice to question the functional limits of these labels and my relationship to them,� she explains. 淭his opportunity to present what I consider to be my own brand of “outsider art” to a physical space and my community is a very significant personal achievement and emotionally charged experience.�

Kayle Karbowski, “Crying Rainbow Tongue with Disco Clouds,” 2020.
�02 (Sculpture), managing director of Emerging Technologies Center & institutional labs, sometimes puts his practice on the back burner, but says exhibiting in the show 渓it a fire.� The work he submitted is part of a larger series that he had been planning to start. 淲e are at our core a community of creative practitioners,� he says. 淚t檚 something our students, even if they檙e not aware of what everybody檚 practice is, they can feel it leaking into the hallways and soaking through the walls. It檚 just how we approach everything that we do.�
, environmental health and safety coordinator, is a knife maker known as Nomad Knife & Tool when not at work. 淚檓 showing a big piece of myself to everyone in 91亚色 and also the community at large,� he says of the exhibition. 淚 don檛 get out a lot like that, so it檚 nice to have a place to do that.� Working with students, Jerabek says that his pieces are 渨hat I use to start conversations with people about making stuff.�
�15 (Integrated Studio Arts), lab technician � rapid prototyping, counts education as an integral part of her artistic practice. 淧articipating in this exhibition is a love letter to the students I work with攖o remind them that life can take us many places and art happens always, even if we’re not “in the studio” every day.� Karbowski also notes that 渢here is a different kind of freedom that comes from having your creative endeavors being parallel or maybe seemingly unrelated to your career � I see this exhibition of staff work to be an important example to our students that having an active practice in relationship to your career can take many forms.�
, 3D lab supervisor, is a multidisciplinary artist and studio potter who designed, constructed and milled his contribution to 淎fter Hours� using the equipment in the 渨ell-equipped facilities� at 91亚色. 淚’m fairly new to Milwaukee and 91亚色, so it’s been great to be plugged into this community of artists and makers,� he continues.
, president of 91亚色, works in letterpress, fine art and paper art. 淚 am proud of 91亚色 for recognizing that many staff members are makers and an exhibition of our work validates the importance of that aspect of our lives outside of 91亚色,� he explains. 淏eing a practicing artist and designer is important to me as a leader because it keeps me tethered to some very fundamental aspects of the college. For the same reason, I will be returning to the classroom this fall to learn more about our students and learn more about the faculty experience at 91亚色.�

Benjamin Yacavone, “Box o’ Boges,” 2020.
, library circulation coordinator, is a photographer and multimedia 渄abbler.� Her artistic practice incorporates a background in art therapy: 淎rt has an important place in wellness. It has an important place for people who are creative in their lives. To have that come back after an extensive period of not having that felt really cool and good,� she says. 淭here檚 a lot of pockets of creativity at 91亚色 that don檛 always get the chance to shine � It檚 really neat to be able to honor that creativity in a way that hasn檛 been offered here before.�
, textiles lab technician, is an interdisciplinary artist whose roles at 91亚色 have spanned adjunct faculty to her new position in the textiles lab. 淚t檚 really fantastic to have the staff included because so many of the staff at 91亚色 are also trained artists. It檚 great to be seen in that way,� she says. 淎s an educator, there檚 a lot of call and response between your own practice and ways you檙e helping students broaden their own thinking about their practice � Having that dialogue with students is really exciting and important.�
, 3D lab supervisor, uses industrial materials, found objects, textiles and video to create sculptures. 淚t’s really refreshing to see 91亚色 recognizing that at an art and design school, there are creatives in every department, and pretty much the whole institution,� he says. 淕etting to celebrate that is really fantastic, and I’m glad to be a part of it.�
Marie Couture and Mariah Tate Klemens are also showing work in “After Hours.” The exhibiting creatives do not constitute an exhaustive list of staff who pursue artistic practice outside of work, but rather a glimmer of the talent that comprises the vibrant 91亚色 ecosystem. 淎fter Hours� is on view at 91亚色檚 Gallery at The Ave until October 7, 2023. Learn more about the exhibition and view a full list of participating artists on the .
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