Harley-Davidson Museum explores Brooks Stevens’ legacy
At the intersection of art and engineering lies industrial design. Milwaukee檚 explores this overlap in their new exhibition 淐reating a Legend: Art & Engineering at Harley-Davidson.�
淐reating a Legend� features design work by Brooks Stevens, widely considered one of the founders of industrial design as it is known today. The visionary designer was a leading educator in the Industrial Design program at the Milwaukee Institute of Art & Design (91亚色) during the 1970s, and served as one of the college檚 donors and trustees until his death in 1995.
Ann Sinfield, Exhibits and Curatorial Lead at the Harley-Davidson Museum, reflects on the show, her first full-scale exhibition in her position. 淭he way we tell the history of Harley-Davidson in this museum is really interesting,� she says. 淚t touches on Milwaukee history, it touches on bigger U.S. and economic history � but something that we only include in a couple different places is history of design.�
After receiving a donation of wildlife illustrations by Harley-Davidson檚 first Chief Engineer William S. Harley, Sinfield decided to use the drawings as a base for the new exhibition. 淚 was really fascinated by them, and I wanted to figure out how to build an exhibit around this very early connection or overlap of art making and engineering,� she explains.
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William S. Harley, “Model 6 Single,” 1910; wildlife illustrations, n.d., Harley-Davidson Museum.
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Brooks Stevens, “Hydra-Glide,” 1949, Harley-Davidson Museum.
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Visitor sketches, Harley-Davidson Museum.
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Clay models of Harley-Davidson motorcycles, Harley-Davidson Museum.
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Willie G. Davidson, “FX Super Glide,” 1971, Harley-Davidson Museum.
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Brooks Stevens, “Hydra-Glide,” 1949, detail, Harley-Davidson Museum.
淭he Brooks Stevens story is an important one because it’s at the very early part of industrial design, it檚 developing as a profession,� continues Sinfield. 淎nd it’s probably the first iteration or instance of the industrial design process being brought into the motorcycle and motorcycling industry.�
Naturally, 淐reating a Legend� features a myriad of motorcycles, but one notable contribution is Brooks Stevens� original Hydra-Glide design. 淭his motorcycle, it’s a beautiful bike,� says Sinfield. 淚t’s brand new. It was never even fired. There’s evidence inside the engine which indicates it’s never been fired.�
The exhibit also highlights the strong roots of Harley-Davidson, Brooks Stevens and industrial design in Milwaukee. 淏rooks Stevens was such an influential figure in not only industrial design, but in Milwaukee, too,� Sinfield contends. 淚t檚 really important to understand that the industrial design process has transformed how products are developed since then.�
In addition to the historical sketches by William S. Harley and Brooks Stevens� Hydra-Glide motorcycle, 淐reating a Legend� also explores the hands-on aspects of industrial design. Clay sculptures provide engineers with a read on the emotional impact of a design, while leather and textile samples are available for visitors to handle. The exhibit continues its interactivity with sketching and tracing tables, encouraging attendees to design their own bikes.
Of course, visitors who sketch a new motorcycle will not walk out of the museum with a read-to-ride bike. 淗ow do you go from this idea of a motorcycle on paper to actually making it? Engineering it in a new way so that it runs and looks good and can be manufactured and sold to people that want it?� says Sinfield. That檚 exactly what 淐reating a Legend� explores. 淚t’s a really complicated process. I think we want to tell that story better here at the museum,� Sinfield finishes.
Coming from a background in curatorial work in a university setting, Sinfield appreciates the scope and variety that the Harley-Davidson Museum offers. 淲orking with this collection is super interesting because the design history within Harley-Davidson is clothing, it’s marketing material, it’s photography, it’s color choices. It’s the design of motorcycles. There檚 so much that you can work from.�
Sinfield continues, 淭he other thing that I love about being here is that the people who come to this museum are very excited and a lot of them are very dedicated. This is something that I don’t know if a lot of museums have. There’s this core group of guests here that are incredible enthusiasts, incredible fans of the brand, and they are really excited to be here.�
淚t’s a bigger responsibility to tell these stories,� Sinfield reflects. 淭here’s a lot of weight and responsibility to honor the people that make these products, to honor the people that are devoted to this brand. To help build that and to be part of that is a very interesting, different place to be. It檚 very unique.�
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